CA Recape is a weird and beautiful vintage script family with two styles. It’s an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling. The basic inspiration for CA Recape comes from American 50s lettering. But instead of reviving one special style, it is a kind of “Best of”-Remix. It takes the weirdest and most beautiful letterforms of a weird and beautiful time and merges them into one font. The outcome is a charming bastard. Guess what it looks like: Weird and beautiful. CA Recape is packed with a lot of OpenType features like underlining swashes, Stylistic, Discretionary, Titling and Contextual Alternates and Ligatures for use in OpenType savvy programs. It also comes with some nice Ornaments. Derived from the original typeface, Cape Arcona Type Foundry also offers a Raw style that has the distressed look of a poorly printed raw font.
OTF | 2 Fonts | JPEG Preview | 7.1 Mb RAR
Tipo Pepel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pepel, full sets of Opentype alternatives and Unicode support for 104 languages ??plus Cyrillic. 16 weights of typographic beauty in all its glory.
OTF | 16 Fonts | JPEG Preview | 3.5 Mb RAR
Back in January 2012, a chubby, uprightish baseball script called Streetscript made it into the MyFonts Rising Stars newsletter. Since then, it has been used for all manner of applications, far beyond the range of uses I'd anticipated. However, one thing seemed to keep cropping up. It seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said). All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
CM 101176 - Device Mockup Bundle
It's 135 Devices Mockups, 45 Examples/Presentations. Including 4 Collection Mockups Templates. Smart-layers allow rapid replacement of screenshots. Once you update the smart-layer, all devices running that screenshot are instantly updated!
4 PSD | JPG Preview | 217 Mb RAR
CM 64181 - 75 Vector Geometric Backgrounds V.5
75 Vector Geometric Backgrounds V.5 Can be used in Web Design & Prints, Mobile Covers, Wall Decors, Posters, Flyers, PowerPoint, Presentations, Wallpapers, Headers, Cards or anything you want.
• 3500x2500px @ 300dpi
• Editable in Illustrator
• 75 AI Files
• 75 SVG Files
• 75 JPEG FIles
• Noise Generator Action for Photoshop
Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. High contrast is the key feature of Bodoni Sans. To maintain this contrast over a wide range of sizes, three optical sizes were drawn: Standard, Display and Text. Contrast adjustments were made for each optical size for optimal performance. The Standard was designed for the mid range of 12 to 60pt, Display for 48pt and above, and Text for 6 to 12pt. Web/Digital use was also considered while developing Bodoni Sans. The fonts were tested as web formats, and examined on a variety of screens, to ensure seamless use in both print and digital applications.
OTF | 4 Fonts | JPEG Preview | 4.7 Mb RAR
South African designer Gerhard Schwekendiek, acclaimed for his script lettering and logotypes, created this bold copperplate ribbon-like face with white inlines. Capitals can be used for initialling and the lower case links up for word settings. An excellent choice for eye-catching headlines.
OTF | 1 Font | JPEG Preview | 3.4 Mb RAR
Pobeda is a bright jobbing typeface inspired by the Moscow Victory Day Parade commemorating the 70th anniversary of the end of the Second World War. At the heart of the typeface is the recognizable rapid silhouette of the famous MiG-29. This cool typeface looks great on souvenir objects, in print and on the web, adding some technical flair to any material.
OTF, WOFF | 1 Font | JPG Preview | 2.1 Mb RAR
The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion of the twentieth century. In essence, it is a calligraphic script typeface family with blackletter influences. The letter forms are decorative and distinctive, yet clear and easy to read, and in use set up a regular rhythm that leads the eye from character to character. The Flinscher typefaces are well suited to design work that needs to combine formality with fun. Just the thing for a certificate or a book cover!
OTF, WOFF | 20 Fonts | JPG Preview | 91.5 Mb RAR
A contemporary gothic sans font family with simple and condensed proportions. The design pays close attention towards balance and expression of form, creating a functional yet elegant typeface suitable for extensive text-based publications in print and screen. Details include 680 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.
OTF, WOFF | 14 Fonts | JPG Preview | 3.3 Mb RAR
Why is it so hard to find a nice stencil font sometimes? Stencil One has you covered. It's subtle yet finely detailed design is suitable for a wide range of traditional and nontraditional applications.
OTF | 1 Font | JPEG Preview | 3.2 Mb RAR