Seventies - Awesome in Posters, Brands, Magazines $100
6 OTF Fonts | Designer: Maximiliano Sproviero | Design Date: Sep 1, 2015 | Turkish Support
Meeeeoooow! Seventies is another of my funkadelic attemps (1) to fill the existing gap of seventish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its groovy essence, its ‘colourful’ qualities.
But, don't have a cow man, and keep on truckin'! With Seventies, my new foxy mama, your projects will stand out among the rest.
Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism?
I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe.
Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century.
Well, catch you on the flip~side!
STYLES: To make you more psyched, Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed.
Arthaus - Create Posters & Brands $100 NEW!
6 OTF Fonts | Designer: John Moore | Design Date: Sep 2, 2015 | Turkish Support
Arthaus is a typeface family inspired by Herbert Bayer letter study for an universal alphabet, this version is built on a rigorous geometrical basis as originally planned by this master of the Bauhaus in 1927. Arthaus comes in 4 weights and one outline version. Ideal for creating posters and brands is a treat for anyone who deals with graphic design.
Essonnes - 3 Optical Sizes $500 NEW!
16 OTF Fonts | Designer: James Todd | Design Date: Sep 2, 2015 | Turkish Support
Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre.
It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like its forbearers, Essonnes is a truly optical family—not just a study in adjusting contrast. The text and display weights have been designed from the ground up for their intended roles. This means that everything from the height of the uppercase & lowercase letters have been specifically tuned for their intended purpose.
Like many typefaces, Essonnes started after falling in love with a piece of history. In this case, it was the eccentric forms of Pierre Didot’s Type and the evolution of the High contrast Didone throughout the 19th century. It was out of curiosity and love for these forms that led to the first draft of what would become Essonnes back in 2011.
These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.
35 PSD File
360+ useful Modules
10 HTMLready Email Templates
100% PSReady Vector Shapes
Free Google Fonts
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Include Grids and Guides
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Video demonstration :
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Graphicriver Retro Effects Bundle 7615232
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Layered PSD | 5.8x8.1 | CS2+ | RAR 775,7 MB