Pobeda is a bright jobbing typeface inspired by the Moscow Victory Day Parade commemorating the 70th anniversary of the end of the Second World War. At the heart of the typeface is the recognizable rapid silhouette of the famous MiG-29. This cool typeface looks great on souvenir objects, in print and on the web, adding some technical flair to any material.
OTF, WOFF | 1 Font | JPG Preview | 2.1 Mb RAR
The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion of the twentieth century. In essence, it is a calligraphic script typeface family with blackletter influences. The letter forms are decorative and distinctive, yet clear and easy to read, and in use set up a regular rhythm that leads the eye from character to character. The Flinscher typefaces are well suited to design work that needs to combine formality with fun. Just the thing for a certificate or a book cover!
OTF, WOFF | 20 Fonts | JPG Preview | 91.5 Mb RAR
A contemporary gothic sans font family with simple and condensed proportions. The design pays close attention towards balance and expression of form, creating a functional yet elegant typeface suitable for extensive text-based publications in print and screen. Details include 680 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.
OTF, WOFF | 14 Fonts | JPG Preview | 3.3 Mb RAR
Seventies - Awesome in Posters, Brands, Magazines $100
6 OTF Fonts | Designer: Maximiliano Sproviero | Design Date: Sep 1, 2015 | Turkish Support
Meeeeoooow! Seventies is another of my funkadelic attemps (1) to fill the existing gap of seventish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its groovy essence, its ‘colourful’ qualities.
But, don't have a cow man, and keep on truckin'! With Seventies, my new foxy mama, your projects will stand out among the rest.
Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism?
I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe.
Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century.
Well, catch you on the flip~side!
STYLES: To make you more psyched, Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed.
Arthaus - Create Posters & Brands $100 NEW!
6 OTF Fonts | Designer: John Moore | Design Date: Sep 2, 2015 | Turkish Support
Arthaus is a typeface family inspired by Herbert Bayer letter study for an universal alphabet, this version is built on a rigorous geometrical basis as originally planned by this master of the Bauhaus in 1927. Arthaus comes in 4 weights and one outline version. Ideal for creating posters and brands is a treat for anyone who deals with graphic design.
Essonnes - 3 Optical Sizes $500 NEW!
16 OTF Fonts | Designer: James Todd | Design Date: Sep 2, 2015 | Turkish Support
Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre.
It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like its forbearers, Essonnes is a truly optical family—not just a study in adjusting contrast. The text and display weights have been designed from the ground up for their intended roles. This means that everything from the height of the uppercase & lowercase letters have been specifically tuned for their intended purpose.
Like many typefaces, Essonnes started after falling in love with a piece of history. In this case, it was the eccentric forms of Pierre Didot’s Type and the evolution of the High contrast Didone throughout the 19th century. It was out of curiosity and love for these forms that led to the first draft of what would become Essonnes back in 2011.
These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.
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